Friday, February 17, 2017

Photo London 2017 - Public Programme Highlights

Photo London has announced the Public Programme for the third edition of the Fair, which will take place May 18–21, 2017 (Preview May 17) at Somerset House.

Featuring 87 galleries from 17 countries, Photo London presents new photographers, new work by established Masters and gems from the history of photography. Highlights of the programme include: Taryn Simon (Master of Photography) Photo London selected Taryn Simon as its Master of Photography for 2017 in recognition of her groundbreaking work. Meticulously mining, questioning and upsetting the certainty that the photographic image and the archive assert, Taryn Simon, turns our attention to the margins of systems of power, where control, its disruption, and the contours of their constructedness become visible. At Photo London, Taryn Simon will present Image Atlas, a work created in collaboration with programmer Aaron Swartz, which investigates cultural differences and similarities by indexing top image results for given search terms across local engines throughout the world. Photo London will also highlight Simon’s unique commitment to bookmaking as part of her artistic practice, with a display of Simon’s books—spanning from The Innocents, 2002, through to Paperwork and the Will of Capital, 2016.

 Photo London and Somerset House, in collaboration with Blain|Southern Gallery, presents Thresholds, a new virtual reality (VR) artwork by internationally acclaimed artist Mat Collishaw. Using the latest VR technology, Collishaw will restage Fox Talbot's pioneering 1839 exhibition of photography. With the aid of Collishaw's careful digital reconstructions, this immersive experience will enable visitors to travel back in time to the moment when British scientist William Henry Fox Talbot first presented his photographic prints to the public in Birmingham.

To mark the 70th anniversary of Magnum Photos, Martin Parr and his fellow photographer David Hurn have curated a selection of works from the collection that Hurn has compiled over six decades through a series of swaps with fellow photographers. Key images from Hurn's distinguished career are juxtaposed with prints from the photographers with whom he has swapped works including Bill Brandt, Bruce Davidson, Sergio Larrain and Diana Markosian.

The Directors of Photo London have followed up last year's Pavilion commission from Wolfgang Tillmans by inviting the legendary photographer and filmmaker William Klein to develop a new 18-metre mural for the space. Presented in association with HackelBury Fine Art, Klein's commission combines unseen fashion, street and abstract photographs from the 1950s and 60s.

Isaac Julien is an internationally acclaimed artist and filmmaker. One of the objectives of his practice is to break down the barriers that exist between different artistic disciplines, drawing from and commenting on film, dance, photography, music, theatre, painting and sculpture, and uniting them to construct a powerfully visual narrative. The exhibition he has made for Photo London presents a body of work that revisits his seminal film Looking for Langston (1989), which is regarded as a cinematic landmark in the exploration of desire and the reciprocity of the gaze.

Juergen Teller will present a special exhibition for Photo London in the Great Arch of Somerset House. Teller has always been adept at navigating the art world and commercial photography, shooting high profile fashion campaigns for brands such as Celine, Louis Vuitton, Marc Jacobs, and Vivienne Westwood. He has published forty-one artist books and exhibition catalogues since 1996, which blur the boundaries between his commissioned and personal work.

dslcollection will present a multi-dimensional exhibition. Alongside the collection's own virtual reality museum, there will be a seminal video work from the collection created by Chen Chieh Jen, one of the most influential figures in the development of Taiwanese conceptual art. Chieh Jen's video work takes its inspiration from Louis Carpeaux's famous 1905 photograph of a lingchi execution. As a counterpart to the historical references in Chen's video, dslcollection presents the first virtual reality platform for a private art collection.

You can go to the Photo London website HERE.

Monday, February 13, 2017

Wolfgang Tillmans at TATE MODERN


Wolfgang Tillmans - Tukan, 2010

Opening Wednesday of this week the 15th and running until June 11, TATE MODERN presents Wolfgang Tillmans' first ever exhibition at the museum.

The show is a wide-ranging look at Tillmans' influential ground-breaking practice - from intimate still-lifes and portraits, to images that address vital political issues.

What are we to make of the world in which we find ourselves today? Contemporary artist Wolfgang Tillmans offers plenty of food for thought. This is Wolfgang Tillmans’s first ever exhibition at Tate Modern and brings together works in an exciting variety of media – photographs, of course, but also video, digital slide projections, publications, curatorial projects and recorded music – all staged by the artist in characteristically innovative style. The year 2003 is the exhibition’s point of departure, representing for Tillmans the moment the world changed, with the invasion of Iraq and anti-war demonstrations. The social and political form a rich vein throughout the artist’s work. Alongside portraiture, landscape and intimate still lifes, Tillmans pushes the boundaries of the photographic form in abstract artworks that range from the sculptural to the immersive. German-born, international in outlook and exhibited around the world, Tillmans spent many years in the UK and is currently based in Berlin. In 2000, he was the first photographer and first non-British artist to receive the Turner Prize. Tillmans also takes over the south Tank for ten days (March 3 - 12th) with an immersive new installation featuring his work in music and video, interspersed with live events in which Tillmans and his collaborators will explore the capabilities of the sound system and the acoustic qualities of the space. 

Wolfgang Tillmans - astro crusto, 2012

Wolfgang Tillmans - Lampedusa, 2008

Tuesday, January 31, 2017

Kassel Photobook Dummy Award 2017



The Fotobookfestival Kassel together with its partner Verlag Kettler once again invites all photographers to present their as-yet unpublished photobooks to an international public and eminent experts.

Here is what the Kassel Fotobookfestival has to say:
In 2017 the best 50 books will be shortlisted by a shortlist-jury and will be exhibited at international photo events, amongst others, in Istanbul, Moscow, Madrid, Dublin, Aarhus and Lodz. From these 50 titles, 3 winners will be chosen by an international jury at the ISTANBUL PHOTOBOOK FESTIVAL on 29 April. The winner of the First Prize will be produced and published by our cooperation partner Verlag Kettler, Germany. Second and Third Prize is a book production voucher given by our partner k-books, who specializes in high-quality book productions in small quantities.
The members of our international main jury in Istanbul are: Federica Chiocchetti (Photocaptionist.com), Martin Parr (Bristol), Jason Fulford (J+L Books, ), Aron Mörel (Mörel Books, London), Markus Schaden (The PhotobookMuseum, Cologne), Verlag Kettler (N.N., Dortmund) and Dieter Neubert (Kasseler Fotobookfestival, Kassel).
Who can enter?
Any photographer from around the world who accepts our entry conditions can participate by registering for the competition and submitting an unpublished work as a book. Registrations will be open until 10 April 2017. All self-published books in small print runs or books published through publishing platforms like blurb can be submitted. Only books already published by a publishing house will not be accepted.

Guidelines
We require one copy of a physical printed book of all the entries sent to us by the photographers /authors. Entries can only be registered online. We charge € 34 per entry and book. There is no limit to the number of entries per person. If you would like your book to be returned to you, then we will require a further postage and handling charge during the registration process. Payments can only be made online via our Paypal account during the registration process. Dummies that make the shortlist will be shown during different photo events as announced. Because some of these events take place at the same time, we request two copies of all shortlisted dummies. This second copy must arrive at our Kassel office 10 days after the shortlist has been announced.

For up-to-date information you can subscribe to the email-newsletter.
Read the ENTRY CONDITIONS
Register HERE


Sunday, January 29, 2017

Pieter Hugo at Yossi Milo NYC


Pieter Hugo - from the series 1994

Yossi Milo Gallery is currently showing an exhibition of South African artist Pieter Hugo, images from his most recent body of work, 1994. The show opened January 26 and will run until March 11.

This is Pieter Hugo’s fifth exhibition at Yossi Milo gallery and features color photographs taken of children born in Rwanda and South Africa after the year 1994, the year of the Rwandan genocides and of the end of Apartheid in South Africa. Wearing often fanciful clothes and posed in nature, each child symbolizes the budding hope of a life unladen by active oppression, yet is rooted inextricably in the landscape into which they were born.

Describing the project, Hugo states: I happened to start the work in Rwanda but I’ve been thinking about the year 1994 in relation to both countries over a period of 10 or 20 years. I noticed how the kids, particularly in South Africa, don’t carry the same historical baggage as their parents. I find their engagement with the world to be very refreshing in that they are not burdened by the past, but at the same time you witness them growing up with these liberation narratives that are in some ways fabrications. It’s like you know something they don’t know about the potential failure or shortcomings of these narratives…Most of the images were taken in villages around Rwanda and South Africa. There’s a thin line between nature being seen as idyllic and as a place where terrible things happen – permeated by genocide, a constantly contested space. Seen as a metaphor, it’s as if the further you leave the city and its systems of control, the more primal things become. At times the children appear conservative, existing in an orderly world; at other times there’s something feral about them, as in Lord of the Flies, a place devoid of rules. This is most noticeable in the Rwanda images where clothes donated from Europe, with particular cultural significations, are transposed into a completely different context. 

You can read more on the Yossi Milo website HERE .
Yossi Milo Gallery - 245 Tenth Avenue (between 24th & 25th St.) New York, NY 10001

Pieter Hugo - from the series 1994

Saturday, January 28, 2017

Centre Pompidou, Paris, turns 40 with a free weekend - February 4 and 5



Centre Pompidou or Beaubourg as it's know in Paris turns 40 this year and to celebrate the museum is offering a free weekend February 4 and 5.
Apart from an array of special events and performances there is the opportunity to see the amazing Cy Twombly show which runs until April 24.
Organized around three major cycles – Nine Discourses on Commodus (1963), Fifty Days at Iliam (1978) and Coronation of Sesostris (2000) – this retrospective covers the artist’s entire career in a chronological circuit of some 140 paintings, sculptures, drawings and photographs, providing a clear picture of an extraordinarily rich body of work which is both intellectual and sensual. The selection includes many of Twombly’s iconic works, several of them never previously exhibited in France.

You can go to the Centre Pompidou website HERE.

Monday, January 23, 2017

The Power of Art - Jane Hirshfield writes...

 

In the course of talking to photographer and friend Lynn Alleva Lilley about her upcoming book Tender Mint, Lynn mentioned her use of a poem by Jane Hirshfield. I was reminded that I have Hirshfield's wonderful book Ten Windows - How Great Poems Transform the World. Poetry and photography share many attributes, most notably their ability to say something quite profound and moving from something so simple.

Hirshfield writes: Why ask art into a life at all, if not to be transformed and enlarged by its presence and mysterious means? Some hunger for "more" is in us - more range, more depth, more feeling, more associative freedom, more beauty. More perplexity and more friction of interest. More prismatic grief and un-stunted delight, more longing, more darkness. More saturation and permeability in knowing our own existence as also the existence of others. More capacity to be astonished. Art adds to the sum of the lives we would have, were it possible to live without it. And by changing selves, one by one, art changes the outer world that selves create and share. 

Although Jane Hirshfield in Ten Windows Investigates the power of poetry to move and change us, her writing is also about how art, how photography works.

Jane Hirshfield's Ten Windows is a must in any artist's library. Here's a link to Amazon.

Jane Hirshfield is the author of eight books of poetry, including The Beauty; Come, Thief; After; and Given Sugar, Given Salt. She has edited and cotranslated four books presenting the work of poets from the past and is the author of two major collections of essays, Nine Gates: Entering the Mind of Poetry and Ten Windows: How Great Poems Transform the World. Her books have been finalists for the National Book Critics Circle Award and England’s T. S. Eliot Prize; they have been named best books of the year by The Washington Post, San Francisco Chronicle, Amazon, and Financial Times; and they have won the California Book Award, the Poetry Center Book Award, and the Donald Hall–Jane Kenyon Prize in American Poetry. Hirshfield has received fellowships from the Guggenheim and Rockefeller foundations, the National Endowment for the Arts, and the Academy of American Poets. Her poems appear in The New Yorker, The Atlantic, The Times Literary Supplement, Poetry, The New Republic, and eight editions of The Best American Poetry. A resident of Northern California since 1974, she is a current chancellor of the Academy of American Poets.

Friday, January 20, 2017

Diane Arbus - in the beginning at SF MoMA


Woman with white gloves and pocket book, NYC 1956

diane arbus: in the beginning considers the first seven years of the photographer’s career, from 1956 to 1962. A lifelong New Yorker, Arbus found the city and its citizens an endlessly rich subject for her art. Working in Times Square, the Lower East Side, and Coney Island, she made some of the most powerful portraits of the twentieth century, training her lens on the pedestrians and performers she encountered there. This exhibition highlights her early and enduring interest in the subject matter that would come to define her as an artist. It also reveals the artist’s evolution from a 35mm format to the now instantly recognizable and widely imitated look of the square format she adopted in 1962. Bringing together over 100 photographs from this formative period, many on display for the first time, diane arbus: in the beginning offers fresh insights into the distinctive vision of this iconic American photographer.

This is a wonderfully intimate and highly personal show. Small prints depicting small anarchies, a way of looking that Arbus made all her own.

The exhibition opens at San Francisco MoMA this Saturday January 21st and runs until April 30. This exhibition was organized by The Metropolitan Museum of Art, New York.

Fire Eater at a carnival, Palisades Park, NJ, 1957

Lady on a bus, NYC, 1957